Trauma Informed Music in a Community of Nurture

Several weeks ago, I helped perform a therapeutic concert in a residential facility that became a big help to the program staff of an institution I worked with. The program staff assisted the students in preparing for the songs. I trained musicians in how to provide a therapeutic concert experience, and the impact was remarkable. I found in this experiment that whereas the approach and burden of both trauma and trauma therapy is daunting and overwhelming, one can in fact find in a community of nurture and support a shared role that is a piece of a jigsaw puzzle. And, in the humility of taking on one part of the puzzle, one can find a part that is helpful without being overwhelmed by the whole thing.

I recently learned that a key to trauma recovery is to view life like an iceberg. On the surface we see the outward behavior. Often, people make judgments at this level alone, but there is so much more to discern. Under the surface, we see a level we call “emotional health.” We act because of how we feel. We act because of how we process life. But, there is even a deeper level than that. The bottom of the iceberg is “relational health.” Our relationships from the very beginning have lead us to our emotional state and to the behavior we show. Trauma informed music looks at this “iceberg” as a key filter and determinative grid as we bring music alongside of the life journeys and understandings we can find.

The Diet of What You Hear

Music has its remarkable power. And this power has been proven to be overt and covert. Music in the environment isn’t just reduced to background music, because our brain interacts with it, sometimes more directly than at other times. This is the difference in the environments of Starbucks…..music more wake you up and be our vibe kind of music……or Panera Bread……music that frames conversations and a calmer brain state.

You have heard it said that you are what you eat…..or you are what you read……I believe it can be proven that you are what you listen to, even if that is nothing at all. In Eric Jensen’s helpful book: “Music With the Brain in Mind”, the author spends time helping the reader learn how to coordinate brain states with music….beat waves being induced by very upbeat music…..alpha waves being recorded when one is quiet and relaxed…..theta brainwaves formed at four to seven cycles per second…the twilight zone between sleep and wakefulness….and delta waves common to deep waves of sleep…..her the brain has tuned out music at a conscious level.

Jensen goes on to say that “music we like or that resonates with us is more likely to impact us on a physical level.” Working therapeutically with a client, it is important to figure out the preferences early on and use those preferences to gauge future growth and development.

Continuum

I caught a pass.
Absolutes being
Thrown at me as if
they were hanging
Curves that I
could jerk and jack.

The fact that I was found
Whiffing
Or at best
Finding the warning track
With no one to tag up
And score….
Well,
At first I retreated
To the dugout of shame
But then remembered
That in the
Land of continuum
The “froms” and
The “tos”
Of any voyage
Seemed to have
Different ports of call.

And that
Would give some
Degree of hope
Or at least a dry step
out of the store onto a rainy pavement.
At least one step.
At least one.

New Eyes Dancing

It seemed evident
That the bright brown
Eyes on the other
Side of the
Guitar
Had never
Seen just how big
The guitar could be on her lap
I turned to adjust the sound
Of the song we were jamming with
Leaving her
With the great discomfort of a large
Six string tumor
On her lap
But she started strumming
Strings
With no chords formed with the other
Hand
Reminding me
Of my first moments
In Macomb
All those years ago.
Turn up the volume
And it still is
Amazing
How good my
Guitar
Can
Sound….

Launching trauma informed music

With “Peace” now being available on amazon, and soon on itunes, I have tried to get the message of “trauma informed music” off the ground. “Peace was designed with one of my project schools in mind, and we are currently at work field-testing the music in a host of different settings. I am not a world-class researcher, but I know that having a valid tool as part of a therapeutic process can bring three potential changes: environment, experience, and exploration.

To put music in an environment means here that “Peace” wants to be part of the process of winding down, resting, and sleeping. To give an experience of music, means that the interaction with the CD takes it from the background in the room and brings it to the center stage of the brain to process and interact with. To bring music to exploration means that the discussion of the impact of the music now allows the taste, reaction to, and the memory of that music will play a valid role in further development. These potential changes allow this album to go beyond being a commodity or a product. This album is a tool toward a therapeutic process, and that makes it unique.

The more I cozy up to music in my lifetime, the more that the process of the music means, and I hope that the work on trauma informed music will help us all with this process.

The Morning After

For those who saw
And had run
And had wondered
At the same dawn
When life made more
Sense…This next dawn
Would add more mystery.
And have greater intrigue
But less to hang on to.
For those who sang
So many years later
With the assurance
That the originals
Never had
It is ok to bask
In the light of the
Morning after
With the firm conviction
That love never
Dies nor can
It be contrived
or controlled.

What is Good?

No one
Is good
But God
alone
It says
He said
And up till then
And even beyond
We search
And find
Nothing
That has not been
Dismantled
Dismembered
Disassociated
Dysfunctioned

No one is good
But God
alone
It says
He said
And He did
Stop there
In our tracks
Surrendering
What rights
We think
We are
Entitled to
And wonder
How
To say thanks.